“Susan with Rock” (2025). Louis Cooper. Oil on canvas. 24″x24″ AI inspired composition using Midjourney and prompt “A painting in the style of American primitive portraitist Ammi Phillips of a middle aged blond woman, dressed in 19th century garb, holding a rock in both hands, pastoral background reminiscent of an Andrew Wyeth scene.” Insight Faceswap to insert Susan’s features. Painted in oil on canvas....
“Cat and Sparrow” after “In the Shadow” by Diane Hoeptner. (2025). Louis Cooper. Oil on panel. 12″x12″ Mastercopy of Diane Hoeptner’s “In the Shadow.” Executed as a quick alla prima wet on wet sketch in oils
“Can Coon” (2024). Louis Cooper. Oil on canvas. 24″x24″ One of the raccoons that lives under the deck of our house in Stockbridge, MA got his left arm stuck in a soda or beer can and can’t get it off. He hobbles around with his new peg leg. We were worried about his survival but he seems to be doing OK and the other raccoons don’t give him a hard time. Susan wishes she could catch him and help him. Not sure that would...
“Feeling Blue” (2024). Louis Cooper. Oil on canvas. 24″x24″ Another portrait of Susan, composed using the assistance of Midjourney generative AI and Insight FaceSwap to substitute Susan’s features.
“Mikko holding Susan” (2024). Louis Cooper. Oil on canvas. 24″x24″ Generative AI image using Midjourney with prompt: /imagine: a portrait of a mature Dutch woman with thick blond hair in 19th century dress, holding a bobcat, oil painting, 19th century american folk art, detailed facial features, symmetrical eyes –chaos 25 –ar 4:5 Then face-swapped in Susan’s face using InsightFace. Replaced the AI generated cat...
I modeled this portrait after one created by Mary-Jane Ansell, which won her a BP Portrait Award. Swapped Susan’s face, into the original, and painted a master copy in a less photo-realistic style, emphasizing expressive brushwork and more chiaroscuro effects. Here are the original and my version side by side. I admire Ansell’s composition, lighting and patient attention to detail. I’ll need to work on that. I paint very quickly and...
Inspired by the portrait “Lotti” by Louis Smith. I borrowed his pose and sitter’s costume and swapped in Susan’s face. This worked nicely because of the similar features of Lotti and Susan. Susan much more beautiful of course. Painted Alla Prima. “Dreamer” (2024). Louis Cooper. Oil on wood panel. 24″x18″
A portrait of my sister Elisabeth. She works in the vegetable garden and healing plant garden at Camphill Village, Copake, NY. Her community also raises cattle, pigs, sheep, goats, etc…. She is a soulful one and very much in touch with nature. Hands in the Earth. But she hates to be called a Farmer. “I am not a Farmer! I am a Lover and a Healer!” “I am Not a Farmer” (2024). Louis Cooper. Oil on canvas....
A portrait of Susan wearing an oriental robe. She has been teaching herself Mandarin Chinese, which led to the title for this portrait. In addition to continuing to use Generative AI to assist with painting composition, I have been trying to combine realism with a more impressionistic rendering of clothing and backgrounds. Homage to John Singer Sargent. “Wo Yao Hanbaobao” (2024). Louis Cooper. Oil on canvas. 20″x16″
Continuing to experiment with Generative AI and Face Swapping as a means of generating inspiration for paintings. Note the lace head-covering Susan is wearing. Something inspired by a Rubens? “Spacesuit” (2024). Louis Cooper. Oil on canvas. 24″x24″
Art for Art's Sake
Self Taught, I am nobody .... nobody's perfect
“Contessa Zu” (2012). Louis Cooper. Oil on Canvas. 20″ x 16″. inspired by the portrait by Boticelli “Simonetta Vespucci” (1485). Sandro Botticelli. Oil
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