Inspired by surrealist artist Laurie Hogin Oil on canvas” Ground was then toned with mixture of chromatic black and flake white. Palette and Supplies: Quinacridone Violet Yellow Ochre Burnt Sienna Raw Umber Burnt Umber Sap Green Viridian Green Ultramarine Blue Flake White Chromatic Black Mars Black Galkyd Slow Dry Medium Gamsol Odorless Mineral Spirits Design was...
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A clementine – to sit on Suzy’s desk at work. Oil on canvas. Ground was then toned with burnt sienna. Palette and Supplies: Yellow Ochre Burnt Sienna Raw Umber Burnt Umber Sap Green Viridian Green Ultramarine Blue Flake White Chromatic Black Mars Black Galkyd Slow Dry Medium Gamsol Odorless Mineral...
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Funerary mask for Frieda, my parents’ beloved beast. Oil on cradled birchwood panel from “American Easel.” Ground was then toned with burnt sienna. Palette and Supplies: Quinacridone Violet Naples Yellow Yellow Ochre Burnt Sienna Raw Umber Burnt Umber Sap Green Viridian Green Ultramarine Blue Flake White Chromatic Black Mars Black Galkyd Slow Dry Medium...
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Oil on cradled birchwood panel from “American Easel.” Ground was then toned with burnt sienna. Palette and Supplies: Quinacridone Red Quinacridone Violet Cadmium Red Medium Yellow Ochre Burnt Sienna Raw Umber Burnt Umber Viridian Green Flake White Chromatic Black Galkyd Slow Dry Medium Gamsol Odorless Mineral Spirits Design was sketched onto toned canvas with...
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This has not been a productive couple of years for me. Working almost exclusively nightshifts in the Emergency Room has taken a bit of a toll on my energy level. I seem to always be either working … or recovering from working. It’s hard to improve as a painter if you’re not painting. Year Paintings 2012 29 2013 35...
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The end of 2016 had me working an excessive number of hours in the ER. I also picked a model I initially had difficulty relating to (even though it was ME!) The composition seemed a bit theatrical and unreal. So I ended up messing around with it way longer than I typically spend on a painting. Typical start, but had to do a number of glazes and adjustments to achieve the...
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