A master-copy of the classic painting by Francisco de Zurbaran. I’m not really good enough to copy it — I’d call it more of an “interpretation.” Not sure why I was drawn to this painting. Strange how some things can beckon. This is my third sheep or goat painting, and I’ve painted quite a few pears too. Hmmm …. I wonder what this...
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Oil on wooden panel. Panel prepared with three coats of acrylic “gesso” lightly sanded between coats. Ground was then toned with Transparent Earth Red. Palette and Supplies: Cadmium Red Medium Quinacridone Red Yellow Ochre Naples Yellow Ultramarine Blue Transparent Earth Red (FastMatte) Raw Umber Burnt Umber Flake White Galkyd Slow Dry Medium (for the glazes)...
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Painted a series of Daily Paintings featuring different perspectives on Zu. Each one was small format and completed in a single sitting, painted alla prima.
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Painted a series of Daily Paintings featuring different perspectives on Zu. Each one was small format and completed in a single sitting, painted alla prima.
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Painted a series of Daily Paintings featuring different perspectives on Zu. Each one was small format and completed in a single sitting, painted alla prima.
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Painted a series of Daily Paintings featuring different perspectives on Zu. Each one was small format and completed in a single sitting, painted alla prima.
Learn More